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Benjaminâe(tm)s famous âeoeWork of Artâe essay sets out his boldest thoughtsâe"on media and on culture in generalâe"in their most realized form, while retaining an edge that gets under the skin of everyone who reads it. In this essay the visual arts of the machine age morph into literature and theory and then back again to images, gestures, and thought. This essay, however, is only the beginning of a vast collection of writings that the editors have assembled to demonstrate what was revolutionary about Benjaminâe(tm)s explorations on media. Long before Marshall McLuhan, Benjamin saw that the way a bullet rips into its victim is exactly the way a movie or pop song lodges in the soul.This book contains the second, and most daring, of the four versions of the âeoeWork of Artâe essayâe"the one that addresses the utopian developments of the modern media. The collection tracks Benjaminâe(tm)s observations on the media as they are revealed in essays on the production and reception of art; on film, radio, and photography; and on the modern transformations of literature and painting. The volume contains some of Benjaminâe(tm)s best-known work alongside fascinating, little-known essaysâe"some appearing for the first time in English. In the context of his passionate engagement with questions of aesthetics, the scope of Benjaminâe(tm)s media theory can be fully appreciated.