Seeing is Believingis a provocative, shrewd and witty look at the Hollywood fifties movies we all love - or love to hate - and the thousand subtle ways they reflect the political tensions of the decade. Peter Biskind concentrates on the films everybody saw but nobody really looked at, classics such as Giant, Rebel Without a Causeand Invasion of the Body Snatchersand shows us how movies that appear politically innocent in fact bear an ideological burden. As we see organisation men and rugged individualists, housewives, and career women, cops and docs, teen angels and teenage werewolves fight it out across the screen, from suburbia to the farthest reaches of the cosmos, we understand that we have been watching one long dispute about how to be a man, a woman, an American - the conflicts of the time in action.
(less)Seeing is Believingis a provocative, shrewd and witty look at the Hollywood fifties movies we all love - or love to hate - and the thousand subtle ways they reflect the political tensions of the decade. Peter Biskind concentrates on
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Seeing is Believing: How Hollywood Taught Us to Stop Worrying and Love the Fifties | 
