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Bhopal Dance
Bhopal Dance | Jennifer Natalya Fink
7 posts | 2 read
Winner of FC2's Catherine Doctorow Innovative Fiction Prize An imaginative, erotic rethinking of Bhopal's disaster--and perhaps our own On the night of December 2, in the midst of the Reaganomic era, an explosion at an American-owned factory in Bhopal, India, released untold amounts of toxic gas on uncounted numbers of people, creating a human and environmental disaster of insurmountable proportions. Known as the Bhopal disaster, it once dominated international headlines, and is now barely remembered. Yet Bhopal remains emblematic of all the many quickly forgotten disasters that followed, and of the permanent state of globalized disaster in which we now dwell. What does it mean when corporations instead of states control not only the means to create environmental disasters, but also the tools to bury them? How does one revolt against these unelected entities? How do our most private desires get shaped by this stateless horror? Jennifer Natalya Fink's Bhopal Dance is an epic and epochal tale of such a horror and its buried consequences. At the center of the novel is Cordelia, an owlish woman with a ménage of lovers, who leads a revolutionary Canadian political movement catalyzed by the Bhopal disaster, only to end up imprisoned with just a toilet to talk to. Who she hallucinates is her father. Who is her father. Who is the State. Who may be her mother. Or her twin/lover. Cordelia is a remarkable bird in her own right, and 'owlishness' is a feathery conceit deployed in both the book's form and content, a way of exploring queer possibilities for altering the terms of one's imprisonment. For setting corporatized corporeality alight. Ablaze. Pets and punk rock, dentists and dyslexia, Shakespeare and salsa: they all dance together here.
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Bertha_Mason
Bhopal Dance | Jennifer Natalya Fink

"His features wrinkle into the center of his face, as if he‘s a couch that‘s been sat on, as if he‘s an asshole swallowing his features, swallowing the world."

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Bertha_Mason
Bhopal Dance | Jennifer Natalya Fink

"Ian cringes; he doesn‘t like "third world" hierarchical language. Pats the smalls of Cordelia: back, elbow, knees. *She* gets it. She‘s not some big-titted provincial. He stares at Caren‘s tits as he strokes Cordelia‘s knees, combining them."

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Bertha_Mason
Bhopal Dance | Jennifer Natalya Fink

"Cordelia rouses, the image of the hunger striker rubbing against the running children, the burning nun. Christ. She murmurs against his chest hair, loving this bedtime story, the total horror of it, the slow roll of it off his tongue."

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Bertha_Mason
Bhopal Dance | Jennifer Natalya Fink

"Yeah? Well, those kids running through the streets of Bhopal, they can‘t fucking *breathe* anymore. This is worse than the bomb: Nobody gets to just evaporate. "Radiate and fade away," yeah well, no such fucking luck. He is on a roll. He is never going to go to sleep tonight."

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Bertha_Mason
Bhopal Dance | Jennifer Natalya Fink

"CBC World News: Few words from Bhopal, India, city of nine hundred thousand. Indian death toll sixteen hundred. More than two hundred thousand, more than a million . . . who knows how many are affected. Many are thought to be children. The same CNN footage of darkskinned children rolls. They laugh, wow: The CBC is cheaping out on the cameraman! Is it even from Bhopal? Or just a reel of recycled Biafrans?"

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Bertha_Mason
Bhopal Dance | Jennifer Natalya Fink

"Of course it‘s an American company, of course it has a squalid Midwestern name like Union Carbide. Ian unsurprises it, makes it known, common, (almost) predicted and predictable. Of course. I mean, they‘re headquartered in *Connecticut.*"

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triplethreatscholar
Bhopal Dance | Jennifer Natalya Fink
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This is a stunning, thought-provoking book! I love owlish Cordelia and her conversations with Jerome.