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A very thoughtful examination of why and how we listen to classical music (and what defines “classical” music) from an experienced conductor. I really loved the ideas about how to program a concert, what works, what doesn‘t, and how certain works become well-known. Would have liked a list of suggested recordings to listen to, since this would be a tough book to read if one doesn‘t have a decent background in classical music.
balletbookworm (I‘d also like to remind Mauceri that classical music does not have exclusive rights to being performed without electronically-provided sound; pop music, country, rap, etc can all be performed acoustically) 5y
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