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If you can imagine an Arabic Tristram Shandy written by—to mimic the synonym-obsessed style of the book—an intellectual and an innovator, a smartypants and a smut-peddler, an obscene lexicographer and a lecherous obsessive, a lover of lists and a lyricist of love, then you will be somewhere near conceptualizing this anarchic and irreverent novel. Filthy, brilliant, funny, and sometimes quite touching.