Just how much of Hollywood‘s output in the late 60s to early 80s was true “counter-culture” & how much of it was an affectation, a cash-in that facilitated the continuation of the studios‘ dominance? Marxist analysis of movies was all the rage 20 odd years ago but with no more than a pompous nod to intersectionality, they soon became irrelevant. Replacing the lens & looking at less obvious movies, this book has a good stab at updating discussions.