The title story sees Tanizaki returning to China, this time the 19th century, and returning, also, to the theme of ennui and luxuriousness begetting debauchery and moral degradation. This one is more fantastical than the other two, with a siren being offered up as an exotic curiosity to tempt the jaded sensibilities of a rich prince. He's warned his pursuit won't end well, but stories would be dull if protagonists heeded good advice🧜🏻♀️