I wanted so much more from this book. It's a very man-centric view and exclusive to Britain. The author ropes me in with statements like: "[...]we have become detached from making, and it isn't a good state for us to be in." But then slogs on and on, primarily about his experiences as someone with the wealth and time to dedicate to reenactment under the guise of research. Excellent points made throughout, just falls flat with delivery.