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Respect for Acting
Respect for Acting | Uta Hagen
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Respect for Acting "This fascinating and detailed book about acting is Miss Hagen's credo, the accumulated wisdom of her years spent in intimate communion with her art. It is at once the voicing of her exacting standards for herself and those she [taught], and an explanation of the means to the end." --Publishers Weekly "Hagen adds to the large corpus of titles on acting with vivid dicta drawn from experience, skill, and a sense of personal and professional worth. Her principal asset in this treatment is her truly significant imagination. Her 'object exercises' display a wealth of detail with which to stimulate the student preparing a scene for presentation." --Library Journal "Uta Hagen's Respect for Acting . . . is a relatively small book. But within it, Miss Hagen tells the young actor about as much as can be conveyed in print of his craft." --Los Angeles Times "There are almost no American actors uninfluenced by Uta Hagen." --Fritz Weaver "This is a textbook for aspiring actors, but working thespians can profit much by it. Anyone with just a casual interest in the theater should also enjoy its behind-the-scenes flavor." --King Features Syndicate
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blurb
ImperfectCJ
Respect for Acting | Uta Hagen
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Book mail!

If this---voice acting, practicing multiple languages, learning about recording, performing music again after a long hiatus (and adding a new instrument)---is a midlife crisis, I am enjoying it more than I expected. It's kind of terrifying but mostly in a good way.

LiteraryinPA All of those things sound really cool! 8mo
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quote
somesortoftimemachine
Respect for Acting | Uta Hagen

The sensations of heat, cold, headache, drunkenness, nausea, and illness etc., are -conditions- of the scene; rarely is the scene -about- the cold or the headache. .. there to condition your actions truthfully .. with sensory accuracy and faith..

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somesortoftimemachine
Respect for Acting | Uta Hagen
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“No director can help you with substitutions since he has not been a part of your life experience. He will help you with the character elements he is after, dictate the place, the surroundings, the given circumstances, and define your relationship to the other characters in the play, but how you make these things real to yourself, how you make them exist is totally private work.”

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somesortoftimemachine
Respect for Acting | Uta Hagen
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“First, you must learn to know who -you- are. You must find your own sense of identity, enlarge this sense of self, and learn to see how that knowledge can be put to use in the characters you will portray on stage.”

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