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Suspended Sentences
Suspended Sentences: Three Novellas | Patrick Modiano
3 posts | 8 read | 8 to read
In this essential trilogy of novellas by the winner of the 2014 Nobel Prize in Literature, French author Patrick Modiano reaches back in time, opening the corridors of memory and exploring the mysteries to be encountered there. Each novella in the volume--Afterimage, Suspended Sentences, and Flowers of Ruin—represents a sterling example of the author’s originality and appeal, while Mark Polizzotti’s superb English-language translations capture not only Modiano’s distinctive narrative voice but also the matchless grace and spare beauty of his prose. Although originally published separately, Modiano’s three novellas form a single, compelling whole, haunted by the same gauzy sense of place and characters. Modiano draws on his own experiences, blended with the real or invented stories of others, to present a dreamlike autobiography that is also the biography of a place. Orphaned children, mysterious parents, forgotten friends, enigmatic strangers—each appears in this three-part love song to a Paris that no longer exists. Shadowed by the dark period of the Nazi Occupation, these novellas reveal Modiano’s fascination with the lost, obscure, or mysterious: a young person’s confusion over adult behavior; the repercussions of a chance encounter; the search for a missing father; the aftershock of a fatal affair. To read Modiano’s trilogy is to enter his world of uncertainties and the almost accidental way in which people find their fates.
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review
Anna40
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Pickpick

I liked the novella that gave this collection its name the least.There are two recurring themes in all stories:Paris under Nazi occupation&the narrator becomes obsessed with other characters‘ elusive pasts.My favourite was Afterimage:the narrator remembers his friendship with a photographer named Jansen who keeps disappearing.I also enjoyed Flowers of ruin:a young couple commits suicide&then there‘s Pacheco who perhaps was a Nazi collaborator.

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Simone_Gibson
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‘Why bother chasing ghosts and trying to solve insoluble mysteries, when life was there, in all its simplicity, beneath the sun?‘

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Audrey
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Mehso-so

I'm not sure that I got these novellas. Certain points, I was completely entranced with language and story. But most of the time, I wasn't. Modiano would jump, even within the story from time and subject. I wonder if I would have appreciated it more if I had been to Paris. Modiano spent so much time on the details of place that I never had a sense of place. He lost the forest for the trees in his descriptions, which was probably his goal.