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Mood Machine
Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist | Liz Pelly
3 posts | 2 read | 3 to read
An unsparing investigation into Spotify’s origins and influence on music, weaving unprecedented reporting with incisive cultural criticism, illuminating how streaming is reshaping music for listeners and artists alike. Drawing on over one hundred interviews with industry insiders, former Spotify employees, and musicians, Mood Machine takes us to the inner workings of today’s highly consolidated record business, showing what has changed as music has become increasingly playlisted, personalized, and autoplayed. Building on her years of wide-ranging reporting on streaming, music journalist Liz Pelly details the consequences of the Spotify model by examining both sides of what the company calls its two-sided marketplace: the listeners who pay with their dollars and data, and the musicians who provide the material powering it all. The music business is notoriously opaque, but here Pelly lifts the veil on major stories like streaming services filling popular playlists with low-cost stock music and the rise of new payola-like practices. For all of the inequities exacerbated by streaming, Pelly also finds hope in chronicling the artist-led fight for better models, pointing toward what must be done collectively to revalue music and create sustainable systems. A timely exploration of a company that has become synonymous with music, Mood Machine will change the way you think about and listen to music.
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review
Billypar
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#tuesdaytunes @TieDyeDude
I always felt a little guilty for using Spotify given the little to no pay that artists receive. But Pelly's book details a long list of other problematic behavior. I never listen to the Spotify-made lists much, but they are a huge part of their business model. Artists get added to them based on less than transparent ways involving their record labels or sometimes from the artists themselves paying for the privilege 👇

Billypar Or some artists agree to make generic 'chill vibes' music for small amounts of money and without their identity linked, which supplants authentic ambient artists from playlists. And if all that's not bad enough, there's a whole phony music pseudoscience underlying all this that tries to identify the least offensive, most homogeneous music possible to promote while generating ever increasing fake subgenre labels to trick people into thinking 👇 3d
Billypar they've discovered some kind of new, niche musical scene that doesn't exist. The whole thing is demoralizing, and it sounds like Spotify's employees who may have joined out of a genuine love of music are becoming increasingly disillusioned with their tech-bro leadership. I may be too addicted to delete my account, but this definitely reminded me of how important it is for music fans to find other ways to support our favorite artists. 3d
CSeydel It‘s so frustrating because they really have a good service. I don‘t feel guilty about making playlists and listening to them — much of what I listen to on Spotify, I already own on CD or cassette (or both!), anyway — but I‘ve definitely started to be more cautious about Spotify-supplied playlists. And more intentional about buying concert tickets and merch rather than just streaming. 3d
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Billypar @CSeydel Yeah, concert tickets and merch are really the best ways. I also do like Bandcamp - I think the streaming payment is only marginally better, but it's great for discovering new indie artists and makes it easy to buy their songs, albums, and merch. 2d
CSeydel @Billypar Yes, everyone always recommends Bandcamp, and I made an account. I‘m sure it‘s better for discovering new artists, but most of the artists I usually listen to aren‘t on there - I thought it would be a replacement for Spotify, but it‘s very different. 2d
Billypar @CSeydel Oh yeah, it doesn't replace Spotify by a longshot for me either. But I'm very happy with the artists/albums I have found there. 2d
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review
shanaqui
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This was interesting and clearly involved a lot of research, though I eventually found myself glazing over because it felt a bit repetitive. The problems with Spotify boil down to the same basics: remuneration of artists is poor, it's built to make money for the creators, it pivots at random to any metric where it can make the numbers go up, it's opaque...

blurb
shanaqui

An indictment of the way we view entertainment as “content“ in general, but especially and specifically Spotify. I'd suggest Glenn McDonald's You Have Not Yet Heard Your Favourite Song had been written specifically to try to counteract it, if that hadn't come out first. Pelly's more conscientious about sources and ensuring what she writes is true and not just vibes, which gives her credibility.

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