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In 1968 Ngaio Marsh took her own Roman holiday (in part to research Italian police procedures) and the change seems to have done her good: Both her British and U.S. agents believed When in Rome to be the finest novel in her �Inspector Alleyn� series. As is so often (and so satisfyingly) the case, the tale concerns a murder within a closed group � in this case, a group of tourists visiting what Marsh calls the �Basilica di San Tommaso,� who find themselves fumbling into a complex web of blackmail and drug-smuggling. Adding some irresistible color are depictions of both La Dolce Vita (of which Marsh took a jaundiced view) and the student radicals of the day, whom she seems to have found somewhat more persuasive. All in all, a brilliant example of classic Golden Age plotting melded with a decidedly Space Age cast.