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Transnational Korean Television
Transnational Korean Television: Cultural Storytelling and Digital Audiences | Hyejung Ju
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Transnational Korean Television: Cultural Storytelling and Digital Audience provides previously absent analyses of Korean TV dramas transnational influences, peculiar production features, distribution, and consumption to enrich the contextual understanding of Korean TV's transcultural mobility. Even as academic discussions about the Korean Wave have heated up, Korean television studies from transnational viewpoints often lack in-depth analysis and overlook the recently extended flow of Korean television beyond Asia. This book illustrates the ecology of Korean television along with the Korean Wave for the past two decades in order to showcase Korean TV dramas international mobility and its constant expansion with the different Western television and their audiences. Korean TV dramas mobility in crossing borders has been seen in both transnational and transcultural flows, and the book opens up the potential to observe the constant flow of Korean television content in new places, peoples, manners, and platforms around the world. Scholars of media studies, communication, cultural studies, and Asian studies will find this book especially useful.
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SomedayAlmost
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Damn. Netflix is billing Squid Game as a “thriller.” And as a former resident of Korea, I wanted to check it out. It‘s dark fantasy or horror-a bloody, twisted Hunger Games. The stark difference between the haves and haves-nots is played out with brutal precision. Not for the faint of heart. #thriller #horror #KoreanTV #TeamSlaughter #Scarathalon2021

Clwojick It was oddly addicting, considering how bad the voiceovers were. Lol 2y
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