
Nikita Lalwani‘s literary novel about prisons, personal morality and the manipulative techniques of documentary film-makers has some interesting ideas but hinges on a main character who is simply too naive and weak to be believable or one who I could empathise with. At the same time, I was uncomfortable with how two-dimensional the Indian characters all are - including Nandini - while the open ending felt like a tacked on cop-out.