As we learn more of the lore undergirding the story, the protagonist Cole drifts further into the background. It feels like the story is moving more laterally than forward. The sense of conflicting isn't quite ramping up.

Martin Simonds' art is so distorted and unnerving, apt for this story about how conspiracy theories are a vehicle for cultural tension.

It's a great time to be a Wonder Woman fan. Kelly Thompson reimagines Diana as raised in the underworld as a witch by Circe, rather than on Themyscira. Absolute Wonder Woman feels closely related to Historia, even though they aren't technically in the same universe. This is a ton of fun (Diana does magic and has a giant sword!) and incorporates the right amount of Greek myth.

Neither the story nor the art live up to the promise of the operatic pitch. Arzen Orgham is a low-rent Ras al Ghul and just incredibly boring. Spurrier's back-up stories about Two Face far outshine the main plot, which seems uninterested in Batman himself.

I'm so impressed with this, even with all the hype. Snyder took a few years away from DC to work on creator-owned comics and he's clearly reinvigorated. I love the idea of a contemporary, working class Bruce Wayne who is fighting a corrupt system. Snyder gets that Batman's rogues gallery could just as easily be his buddies under different circumstances. Dragotta is truly in his element, squeezing every ounce of action into even the tiniest panels.

15 years after reinventing Batman, Scott Snyder is back at it [checks notes] reinventing Batman. Nick Dragotta's art is hyper-kinetic.

An absolute master class in identifying backup artists whose styles perfectly suit the vibe of each issue in this arc. This is organized chaos at the highest level, which is apt because it's also a major theme of how the Department of Truth was created. As conspiracy theories consume our public discourse, Tynion poses timely questions about the difference between "reality" and "fiction."

The trick with making TMNT compelling is writing each turtle as a distinct character. Aaron not only does this well but also starts his new run with the four brothers at odds. Rebuilding their bond will be tough with a corrupt mayor out to get them.

This really leans into the "iceberg method" with four chapters that leave a lot unsaid for the reader to intuit. The metaphor of the titular roadside picnic is really brilliant. Like a lot of sci-fi, it's more thought-provoking than ending with a clear message.

The back half of this series was stronger than the first half. All the dominoes fell in a satisfying way. If you have even the slightest affection for characters like Warlord, Lady Cop, and the Creeper, you will love this.

Abject disaster

This series-by-committee takes us back to Yoda's past. The Yoda/Anakin arc by Guggenheim and Miracolo is the best of the three. The Phil Noto covers are great.

The Barda/Cassandra Cain dynamic is worth the price of admission, as is Romero's stylized art and Bellaire's colors. This arc continues the themes of sisterhood in the face of patriarchal exploitation.

The first half of this book is an absolute slog, which is crazy because we're like 5,000+ pages into this series. BrandoSando made a strategic error, imo, by committing himself to real-time story-telling. This requires him to set this entire novel over the course of just ten days! Why???

Gerry Duggan explores whether Mr. Freeze could be reformed, as well as the dynamic between Batman and Robin early in their partnership.

I saw the twist one million miles away, but this is a fantastic showcase for Javi Fernandez's art.

Tom King and Mitch Gerads reunite to give us a more menacing version of the Riddler, as well as a more elaborate origin. Gerads deploys some really interesting designs, including some 1st-person POV panels, as well as security camera footage.

A prequel/tie-in to the landmark Jedi: Fallen Order video game, Dark Temple gives us Eno Cordova's backstory. It's a classic Jedi mediation scenario where it may be impossible to find a peaceful way out of conflict between rival factions.

A prelude to the awesome revival of the '90s animated series, this mini-series just sets up what the team was doing right before episode one. Nothing too crazy, but it's always nice to see Wolverine and Sabretooth.

A fun little intra-dark side skirmish between Darth Sidious, Count Dooku, and General Greivous, on one side, and Darth Maul and Mother Talzin on the other. The only thing that bugged me is that Greivous speaks nothing like he does in Revenge of the Sith. The dark side eats its young.

In this mini-series, comics veteran Louise Simonson takes us on a whirlwind tour of Jean Grey's most pivotal decisions. What if Jean had acted differently? This was really fun and you can read it even if you aren't caught up on X-Men.

Rearranged this shelf of prize-winning authors

Hmm, I'm not sure what the point of this was besides self-loathing and nihilism.

The dialogue in this arc sounds like someone who just got out of their Philosophy 101 class. Remender tackles big themes--marriage, parenting, free will--but doesn‘t have incisive answers. The story is at its best in pure adventure mode. Scalera's art, though, remains so stylish.

Donatello, after meeting the most evil-looking mad scientist ever, "Let's be friends!"

The tour through different universes was exhilarating, but Batman's time in exile in another universe was pretty boring. The biggest problem is that back-up artist Mike Hawthorne's art just isn't very good.

It's generally a bad idea to flesh out the Joker's origin story, but Chip Zdarsky really pulls it off. Jorge Jimenez's art is always stellar. This arc is a little bit of a transition from Failsafe to Joker as the dual antagonists.

Sampere's art is awesome. King continues his story of elevating Wonder Woman to the pinnacle of the DC universe while introducing her daughter Trinity.

Issue 105 is drawn entirely from Nightwing's POV, which is a cool visual trick, but narratively, I found this whole underworld arc pretty low stakes.

You know you're in hell when your desktop is full of icons.

I love almost everything by Kieron Gillen, but this volume of Immortal X-Men is badly hampered by the need for lots of exposition explaining stuff from Sins of Sinister. Also, Mother Righteous is a terrible charactet. I did like the scenes between Sinister and Xavier.

I really like the fairy tale elements with Doxta the witch woven into the sci-fi story. This arc had a great twist and cliffhanger.

The action reaches new heights as multiple extinction-level threats collide on earth. This arc is less soaked in remorse than the previous one. Scalera's art is marvelous.

I think I need to give up on whatever Greg Pak thinks he's doing with this Darth Vader series. It's just a lot of people running around with no real suspense or character development. Ochi's dialogue is utterly cringe worthy.

It's not a terrible idea to stitch together the prequels with the sequels by sending Vader to Exegol, but there's nothing particularly interesting about this story. The art is equally meh.

New God's meets the Coen brothers. King often writes mini-series about obscure characters, but these guys are *very* obscure. The best part is the Helmet of Fate being the narrator

It took me 11 months, but I finally finished this! Really great book about cybersecurity: accessible to non-specialists while including lots of detail. Shapiro writes in a highly informative yet slightly sardonic voice that I enjoyed.

A book so acidly cynical that your fingers smoke from flipping the pages. Can't put it down, tho.

I don't know what Rick Remender was going through when he wrote this, but he seems to be dealing with a lot of regret about being a workaholic and a bad dad. It's rare to read a comic that so endlessly crucifies its protagonist.

Can Tom Taylor make me cry with an emotional scene between Dick and Bruce? Is it smart to make the antagonist a foil for Nightwing? Does Taylor get a little carried away treating Nightwing as the purest superhero ever?

Yes to all

Saga is probably the most addictive ongoing comic book series. I love Hazel and Squire so much.

"Project Shield was established to protect dissidents against repressive governments. Brian Krebs, however, needed protection from three teenagers."

The Christmas issue was really good. Peter and Harry developing different attitudes toward being super heroes is interesting, too. Hickman's pacing is good, even as he leans into a much more grounded story than he normally tells. There is a lot more journalism than I was expecting.

Some issues are definitely more gripping than others, but I like what Deniz Camp is doing with Marvel's re-launch of the Ultimates. My favorite issue by far was Doom's origin story.

"The internet tidal wave would be followed by a hacking tsunami"

Bilquis Evely's art is extraordinary. A wonderful story about grief, family, and imagination. I can't wait to read more.

These stories perfectly capture the melancholy and often tragic tone of many of the side quests in the game. Although they are all stand-alone episodes, these stories revolve around how Geralt interprets the world.

Tom King said that this was the best he's ever written. This arc follows Joan through an entire lifetime of domesticity. My one complaint is that the cliffhanger at the end of this volume is basically the same as at the end of volume one.

A truly bold new take on Zatanna from Mariko Tamaki and Javi Rodriguez. Super stylized pop art with a heavy dose of the surreal. Electric colors. Zatanna is a small-time Vegas magician--or is she? A great story about claiming your power with a surprising villain even if the ending isn't that suspenseful. Would absolutely read more of this.

Gerry Duggan wanted to write a romance comic but wasn't sure it would sell, so he made it about a gun slinger and a samurai in a fantastical purgatory. Hell yeah