

(2004) I adored Perdido Street Station and loved The Scar, so even though I had heard that Book 3 was the weakest in the series I still went in with high expectations. And there's much to admire here: Miéville's imagination is fertile as ever, and the fantastical settings and creatures are terrific. But at heart it wants to be a social-realist (-surrealist?) novel about The Revolution, and the characters all feel more like tools than living beings