#Choose20 comics that stayed with you or influenced you. One comic a day, in no particular order. No explanations, no reviews. Just covers. Day 11: The Thrilling Adventures of Lovelace and Babbage
#Choose20 comics that stayed with you or influenced you. One comic a day, in no particular order. No explanations, no reviews. Just covers. Day 11: The Thrilling Adventures of Lovelace and Babbage
#Choose20 comics that stayed with you or influenced you. One comic a day, in no particular order. No reviews, no explanations. Just covers. Day 10: Grayson 5
#Choose20 comics that stayed with you or influenced you. One comic a day in no particular order. No explanations, no reviews. Just covers. Day 9: Strangers In Paradise volume 2
The frantic multiverse travels of Dead X-men is enjoyable, although too high stakes to be fun. I read this based on the team make-up. So if you like Jubilee, Rachel, Cannonball, Dazzler, Frenzy and Prodigy you might like this. (I will never understand Prodigy‘s power. Someone explain it to me.)
#Choose20 comics that stayed with you or influenced you. One comic a day in no particular order. No explanations, no reviews. Just covers. Day 8: Leave it to Chance: Shaman‘s Rain
#Choose20 comics that stayed with you or influenced you. One comic a day, in no particular order. No explanations, no reviews. Just covers. The Cartoon History of the Universe: Day 7
#Choose20 comics that stayed with you or influenced you. One comic a day, in no particular order. No reviews, no explanations. Just covers. Day 6: The Wicked, the Divine.
#Choose20 comics that stayed with you, or influenced you. Post one comic a day, in no particular order. No explanations, no reviews. Just covers. Day 5.
…I don‘t know. I guess alternate realities, where characters are so different that all they share is a mild aesthetic connection to characters you already know, doesn‘t appeal to me.
#Choose20 comics that stayed with you or influenced you. One comic a day, in no particular order. No reviews, no explanations. Just covers. Day 3: Finder Talisman.
#Choose20 comics that stayed with you or influenced you. One comic a day, in no particular order. No explanations, no reviews. Just covers. Day2
#Choose20 comics that stayed with you or influenced you. One comic a day, in no particular order. No explanations, no reviews, just covers. Day 1
This is ok. Unsurprisingly, wealthy absinthe collectors are as out of touch as wealthy art collectors. The author seemed casually wealthy in a way that made me dislike him. Not a bad person, just weirdly casual. The way he talked about googling the forger‘s name, made it sound like he‘d never searched for anyone online before. Still, low stakes true crime for the win.
There are so many irons in the fire in this book that it‘s hard for me to know what was sincere, what was parody, what was a meditation on the inherent unreality of plot structure, and what was just a fantasy novel. There‘s lots of funny lines, there‘s purple writing that I‘m 85% sure is genre aware parody, there‘s reevaluations of problematic fantasy tropes.
The story of a missing indigenous woman from the point of view of her loved ones rather than from the pov of detectives or police was welcome change. This also feels like a very honest portrayal of the messiness and abruptness of grief.
So there‘s this point in the book where the male character mentions men not receiving compliments from women very often and…that‘s probably true. But I have a sinking suspicion that, as the female character doesn‘t think about it, the male author doesn‘t know how often compliments from strange men end with insults, harassment, threats and violence directed at women they‘re “complimenting”.
I like Pargin‘s work. But I think there‘s things he misses about being a woman, and since this book was basically a man and woman in a car together, it comes up. Idk, Trump just won an election and there are guys posting “Your body, my choice” on SM. My patience for a lonely guy‘s pov where he occasionally full on rants about “feminists” is pretty low.
I was very into Charles Xavier reading Sinister to filth.
I have a question. The author of 7 wonders is writing about the temple of Artemis and says that bees were her symbol. Her priestesses were called honeybees. And for a sec that made sense, then I remembered the long history of male scientists (hilariously) thinking the queen bee was a king. Were bees her symbol cause there were lots of bees in the area, cause everyone liked honey, or did ancient people know something later naturalists forgot?
I think comics based on live action tv fail when they attempt art that looks as much as possible like the actors. It leads to static art that hits an uncanny valley and isn‘t very good at telling stories. Farscape was visually stunning tv with a lot of motion. This comic does a better job of being a Farscape comic by using an art style that is less figurative but shows more motion.
I really like this series. It‘s messy and all over the place. But I like the characterizations and complexities of so many of these characters. It‘s big, and top heavy. But I‘ll miss Krakoa.
Parts of this are just straight Hero‘s Journey beats. But other parts are the hero who is explicitly a member of a community. Also, Bruce Wayne, doing his best!
It‘s interesting that in a book about a deadly plague, the economics would still be the dreariest and most annoying part. But I suppose that‘s why economics is the “dismal science”.
The preface starts out by describing Hadrian‘s wall like “Ramparts are attractive..nothing bigger, grander, more masterful. And more impressive …power pulses from Hadrian‘s Wall”. Honestly seems like a 🍆metaphor.
It‘s probably good that the Alt-right don‘t like each other anymore than people outside of their movement like them.
This is good. But I got honestly upset when the horse turned out to be an antagonist. I wandered around raging (internally) “The horse is supposed to be her only friend!”
Damn it Corey, I don‘t have time for these doorstoppers! Fine. Okay. I‘ll read this and I‘ll like this. But I won‘t be happy about it.
A solid horror novel. A Christian evangelical cult has the most successful gay conversion camp ever. By which I mean, it‘s not successful at all, but they do open portals to hell.
I‘m about 1/3 of the way through this and I can‘t find a plot. Penny wants a job, gets a job, then experiences her job. And then seems to want nothing. A cypher of a character. There is something dark about the interplay of capitalism and dreaming and that unacknowledged darkness against the coziness of the setting is kinda odd.
A ridiculous cat is ridiculous and beloved.
The art work is pretty. But the story and world building struck me as lacking. I understand very little of the universe the artist was making and thus very little about the story the author was telling. Fame is a drug? Unless drugs are drugs?
These manuscripts offer a corrective to the popular perception that medieval manuscripts were all written by monks. Our imagination of the past is delineated by patriarchalism infused by prejudice. If we were wrong in imagining that all scribes were men, what else might we be wrong about?
You know I wouldn‘t assume that Constantine would‘ve been in Taylor‘s wheelhouse, but this works. Part of me always expects 1 more horrible thing, 1 more betrayal, 1 more loss of innocence in a Hellblazer story. But I am okay with just Constantine and the devil flirting for panels instead.
I thought that the methodology of this book was interesting, the author took different dialogues and plays and whatnot and used them as sources for little vignettes of moments in different people‘s day in Athens. But almost immediately there was the awkward feeling of male authors (past and present)writing women as utterly fascinated by men. The wedding procession scene in particular had me rolling my eyes.
“He calls his book on Alexander a search, not a story.”
I enjoy this series. Tidal Creatures felt a lot less focused but that could have been by design since one of the points of the book was that rather than there being one very special magic person there can be lots, and that can be a good thing. I do kind of love the concept of an Impossible City and how the yearning for it, as understandable as it is, is used by awful people to justify awful things.
Any book about a movie leaves me with the impression that it is shocking that anything is ever filmed, let alone that anything turns out well.
…author seems invested in the idea that the teenage Grace Kelly was the sexual “aggressor” in a relationship with her 30 year old teacher. And it‘s gross.
I think of this as Aunt Maria (by Diane Wynne Jones) the adult years. Which is to say, there were fun inversions on traditionally “gross” and “girly” things. The mom was a hero. And magic doesn‘t give the right to tell other people how to live.
Leigh Bardugo is excellent at dialogue. She has a gift for writing romantic leads who don‘t look like movie stars in ways that have you nodding along with the idea that they are attractive and have chemistry, because of course they do. I was deeply invested in Valentina‘s redemptive arch.
Scott Shapiro, Yale Professor: “Suppose, however, I want to send some of my writings to my friend at Stanford? (This is hypothetical, of course: I have no friends at Stanford)”.
Sci-fi frequently seems to connect to our concepts of culture and exploration (and colonialism). So I‘ve always wanted access to more international science fiction. But a lot of times when I get it, I feel like I‘m missing something. I liked this. I‘ll read a sequel. I‘d buy a cookbook based on the food descriptions. But, I do feel like there are things I‘m missing.
There‘s an interesting microhistory here, but there is also misogyny, racism, classism and utter cluelessness too. It‘s like being stuck with an older relative who is talking about something interesting and then casually says something terrible. For McPhee and the men he interviews the history of oranges is Florida based and white, and wealthy, and male.
Honestly, this is worth reading just for the title. That‘s a good title.
It‘s also a messy horror/rom-com/cozy fantasy/who done it, with a big heaping serving of generational trauma.
Was…was this book written just for me? Emma Southon just wrote a feminist retelling of Lucretia, the Roman rape victim, with an explanation of Gail Simone‘s Women in Refrigerators comic book trope and I have never felt more seen.
The sheltered girl who thinks she‘s not special is a fantasy trope. But Marlinchen is a lot more Bella Swann in Twilight than Sophie Hatter in Howl‘s Moving Castle. I don‘t think I‘ll finish this.