Truly iconic, an instant classic fit to stand among its queer horror predecessors like Shirley Jackson's The Haunting of Hill House (which this novel echoes throughout). Brutal, terrifying, gross, sexy, both subtle and explicit at the same time in its evisceration of fascism, racism, transphobia, and all the other rot it identifies in British society. A surprisingly moving ending for a horror novel filled with body horror and (internalized) hate.