pickI found this haunting. There is something about the authors use of language that mimics the ‘for the ages‘ style of the original works whilst bringing fresh perspectives and an almost practical infuse telling. In this one our narrator is slave to Cassandra sailing home with Agamemnon who is mostly secondary to the story of his waiting wife and family. The horror of their home, ghosts of slaughtered and canabilised children adds tension .& horror.
pickAs an avid fan of all things myth (from a multitude of cultures), this wasn‘t anything mind-blowing to me, but I absolutely had a good time reading it. I enjoyed her connections to modernity. I like her wit. It‘s always fun to take a feminist critique, which is what I often did with my own scholarly papers. It‘s important work, but it‘s also important to be accessible and Haynes accomplishes just that.
pickExactly what I wanted, a modern feminist lens on the Greek goddesses. Really fills the niche I was missing after reading that collection of tragic plays and feeling so alienated by the lack of such considerations in the accompanying essays.
While she covers the classics by speaking on a selection of well known myths on certain goddesses, I love that Haynes also includes 1/?
Okay, but a horror film with the Olympians as the threats sounds AMAZING. 🤩
*Snrk* 🤭 Haynes is having such a good time, and so am I!
so-soThe writing is good, Saint connected a multitude of Hera myths in a cohesive way, the set up shows Hera‘s notorious wrath as a form of reactive abuse & that invoked empathy, but ultimately Hera‘s ire was repeatedly misdirected & I just couldn‘t relate to the redemption Saint was conveying for the goddess of marriage.
pickI adore Natalie Haynes‘ stand-up routines, which make Greek and Roman myths accessible and relevant to the modern world. I don‘t feel her style translate as well into book form, but this is still an interesting introduction to a selection of Greek goddesses, and her comparison of Artemis with Katniss from the Hunger Games has made me intrigued to read the latter.
Book 27/60 #Read2025 @DieAReader
