This was the perfect follow-up to the previous story I read, Blackwood's "The Man Whom the Trees Loved". Another tale in which the forest is alive and holds communion with souls sensitive to its slow, vital energy.
Merowdis is the beloved sister of Ysolde, an unearthly child whose connection to animals & the woods is discouraged by her parents, and enabled by her sister.
The story is a gothic fairytale full of Jungian archetypes, interweaving ⬇️
Clarke's story is shorter than I'd imagined, as it has an afterword in which she speaks of her creative process, and the influences out of which she spun both this work and Piranesi. If I thought I couldn't love Clarke more, I was wrong, as she tells of her lifelong love of Kate Bush's music, and the album 50 Words for Snow is a direct influence here, and that Merowdis's saintly ⬇️ 1w
On its own, it is an interesting and atmospheric, if small, tale, but taken in context of Clarke's other works, it has a larger dimension. Sit it alongside the stories in The Ladies of Grace Adieu, and it becomes a vibrant miniature, another silver thread in the tapestry of the world of Jonathan Strange and Mister Norrel. 5❄️ 1w