Welcome to Litsy!

The story follows a fictional abstract expressionist painter, Rabo Karabekian, who was also a WWII vet. The whole book dances around the mystery of what is he hiding in his huge potato barn. The payoff at the end was absolutely worth it. Rabo is a cynical man, but somehow also incredibly hopeful. It also explores the impact art can have on processing trauma. I love Vonnegut's work and this one falls in my top five for sure.

Huge shoutout to my local used book shop for this beautiful 1982 Vonnegut!

Ugh, this is so frustrating. I love a good classic sci-fi story, especially when it‘s talking about catastrophic events happening on earth and to the environment. I just couldn‘t get on with the writing style I think. I can see where the author was taking us and what they were trying to say but I just couldn‘t connect with any of it. I‘ve been trudging through this book for so long and I just need to give up.

#dnf #classicscifi #scifi

God DAMN. Okay, I get it, y'all were right. Vonnegut is an amazing writer and I'm so glad I didn't give up on him. As well as my father, I have the reading community at large to think for encouraging my persistence, any other author, three meh reads would have ended my interest, but there's such love for this writer's body of work, and such a variety in subject matter, it always felt worth another try. 1/?

“...no good reason...“

Ebook on sale. Reminder Vonnegut is our #authoramonth in September

@Soubhiville

After reading Timequake, I was left wondering what Vonnegut would have thought about technology and science in our current climate, Post-COVID.

In the book, mankind has 10 years to figure out its next move and they don‘t or can‘t or won‘t. There‘s nothing more pessimistic than that… and of course the humanist in me agrees with the synopsis. If television is an eraser, what is Google, AI, and Social Media doing to our awareness?

Hello, babies. Welcome to Earth. It‘s hot in the summer and cold in the winter. It‘s round and wet and crowded. At the outside, babies, you‘ve got about a hundred years here. There‘s only one rule that I know of, babies—:

God damn it, you‘ve got to be kind.

A collection of Vonnegut's previously published short stories that were not included in Welcome to the Monkey House. Like most short story collections, the quality varies - a few were truly excellent, most good, and a few "meh". As a document of a writer in the process of finding himself, I would highly recommend it. It was cool to see so many of the elements of his later novels popping up here in fits and starts.