Right off the bat the first thing I loved about the audiobook for The Butcher is the use of multiple narrators; I love how they each give their character an individual voice and personality. I especially enjoyed how Shank was portrayed by Coffey. I mostly enjoyed the story itself as. The end left a lot to be desired; it was way too anticlimactic. I also struggled to like many of the characters; oddly Shank was my favorite.

This novel grabbed me with its opening–a confession by our anti-hero and narrator Payton–but it failed to maintain that hold at times. I did enjoy the narration. The second I heard Chris Henry Coffey‘s voice I was excited because I enjoyed his narration of The Butcher; his name alone hadn‘t clued me in, but I that won‘t happen again. He brings a lot of character to Peyton; he almost paints a picture of what Peyton looks and acts like.

I was intrigued right away. While taking place in modern times, it had an old noir/crime show feel to it–those are some of my favorite genres–and the narration by Damron only contributed to that feeling. It was like I was listening to a radio crime drama. There is such a variety to the characters and each one adds their own flavor to the team and to the story. Many of the twists and turns caught me by surprise, keeping me guessing until the end.

The reader gets to hear from multiple different narrators, and the chapters cover events in both the present and the past, which is something that I really liked about this novel. All the different pieces came together well throughout the story. There were a lot of characters to keep track of, but I didn‘t find that there were unnecessary characters; each had something unique to add. The Midnight Feast kept me guessing as to who the wrongdoer was.

This is a beautifully written novel that I was able to immerse myself in. Hecatate is an independant, strong female character and I enjoyed going in this journey with her. I liked the magical and mythical aspects of the story. The audiobook added to my enjoyment of the tale. Calin‘s pace and inflection added to the emotions and events of the story. She brought life to the story and to the characters; I hope she narrates the next in the series.

The descriptive language used painted a beautiful picture of the wilderness and all that comes with it. It seemed to me that the author has a lot of knowledge about the area and the type of life lived by the characters. I also liked the idea of the dual timeline, bringing the past and the present together. The plot was such a slow burn; nothing thrilling happened until the novel was almost over, making it more of a drama and less of a thriller.

This may be a short audiobook, but there is so much packed in and it is gripping. Shalan did a phenomenal job narrating the novel. She brought Nell to life and I could really hear her awkward passiveness. She brought out the tension and terror felt by many. It is more of a psychological thriller than horror, and I would have liked a little more of the gory details, I still felt it was well written and narrated.

Devils Kill Devils sounded like a great novel, and started off in just that way, but then Cela the Godmaker made an appearance, and everything just seemed to go downhill from there. There were so many things that were introduced in the second half that it almost seemed like I was reading a completely different, and scattered, story. The one thing that I did like about the novel is that it is full of death and carnage.

I was very excited to read The Sequel but sadly it was not all that I hoped for. While it was nice to revisit some of the characters and events that occurred in The Plot, there were times when things did not make sense; they relied way too much on coincidences and circumstance, even for a piece of fiction. Some of the plot holes also took away from my enjoyment of the story as well as affecting my ability to relate to the story or the characters.

I was excited to listen to the novel after reading the summary, but this novel came up short. In regards to the characters I didn‘t feel as though they were very developed, which I found disappointing because I wanted to like these characters, especially Amie. The same could almost be said about the plot. Some parts of the narrative seemed too drawn out and added nothing to the story as a whole, and other parts that I wanted more.

The story as a whole is a fast-paced, edge-of-your-seat novel with many twisted twists and turns. One of the things that I liked the most about the audiobook as a whole is the use of different narrators for the various characters, especially since I did not have a copy of the novel as I listened. The many narrators not only made this wicked tale more enjoyable, but I was also better able to understand what was happening and to whom.

This is a southern gothic supernatural thriller that hooked me right away. I really enjoyed the characters, especially Lo, but the setting itself was almost a character all its own. She paints such a beautiful and complete picture of the mountains, the streams, the valleys, the caves–along with the magic that they bring–and the Howler as well. While my suspicions about who was responsible was correct, I was nevertheless enthralled by the story.

From the events to the characters this is a novel that kept me hooked. There are so many strong female characters throughout this story who fight for what is right and for each other. While showing the power of sisterhood, McCullough did not sugarcoat the realities of the time, instead showing life's realities. I was hooked right from the start and, while there were some parts that seemed to drag a little, I simply flew through this novel.

I not only liked the novel, but the audiobook is well done and, once things really started to happen it did a phenomenal job at bringing suspense and horror to the story. I liked that there were two narrators, one for Billy and one for the commentary, giving two voices to the events. The pace, inflection and vocal changes drew me into the story, especially the climax, making it an enjoyable audiobook and adding to my experience with Memorials.

Dark Corners is a fast-paced thriller with a few twists and turns. While there are some twists and turns in the novel, there are also a lot of parts that were rather predictable but that did not take away from my enjoyment of the narrative. The audiobook was simply ok and did not do the novel justice. At times I felt like the narration was too monotone and flat, although I did like that there were different narrators.

Having read many of Palahniuk‘s novels I was very excited when given the opportunity to listen to Shock Induction, but even with my knowledge of his style I found myself rather lost throughout this novel. There is an amazing story here, I just struggled only listening to the story and not having the words in my hands. It seemed like the story jumped around a bit and I often wasn‘t sure how I got to where I was and what happened to lead up to it.

When I saw there was a new novel Brom in the world I jumped at the chance to immerse myself in another of his stories, and Evil in Me did not disappoint. I enjoyed the characters, the events, and especially the music. Not only did Shahjehan Khan and Stephanie Németh-Parker do an amazing job telling the story, the fact that music by The Maxines was included was simply epic. Not only did I like the song, but I loved how it brought people together.

Saint allows the reader to see Hera in a different light. There seemed to be too many events packed in, taking opportunities to better understand Hera away. Saint does a great job painting pictures of the settings and many of the events; I could really see, with great detail, what was happening. The audiobook was hit-or-miss. I also felt as though Fredrick was too monotoned and even paced in her delivery of the material, even the eventful parts.

I was intrigued by the premise, but it moved a little too slow. I also feel like there needed to be more of a focus on Emilia. The narrative jumps between timelines, taking the reader on a journey both within the present and to the past. The audiobook for Sacrificial Animals was well done, however I really began to enjoy the audiobook more at ¾ of the way through the novel because that is when things really started to pick up.

The cast of characters are simply phenomenal. They are all everyday people doing whatever is necessary to save those whom they love and the planet as a whole; I could really connect with all of them and feel their terror as they navigate an unimaginable situation, as well as their bravery and selflessness. The audiobook was amazing as well. I loved the addition of sound effects and voice modification during the CB radio and intercom sections.

This novel is making a strong statement through the use of satire and comedy about our society. We have an almost desperate, addictive need for things like electronic devices and social media and the need for affirmation through those, as well as the rapid and dangerous effects that misinformation and rumors can have. Fliakos did a phenomenal job narrating this novel. I can‘t think of a narrator with the ability to do justice to Pargin‘s novel.

There are so many complex, well-developed characters. Cordelia is a wonderful protagonist and Evangeline is a villain that is easy to hate, but it‘s the supporting characters that bring this story to life. I enjoyed the twists and turns and was surprised by many of them. The audiobook added to my enjoyment. I love that two narrators were used, allowing them both to bring different things to the story making it that much more enjoyable overall.

This was a very strange novel. I found myself rather irritated by Mina because of how weak she seems; I would never allow myself to be treated like she is. That being said, I think the message that I took away from the novel would not exist if Mina‘s strength was seen from the beginning. I liked the sprinklings of Jane‘s opera throughout the narrative and what they brought to the story. I do believe that there is a rather powerful message sent.

This was a fun novel to read. The world building is great and I loved the magical and supernatural elements that are utilized throughout were unique yet, at times, a bit twisted. Leopold is a great character. I felt as though he represents an average “loser” teen and young people can relate to, and seeing his growth throughout the novel only added to the entertainment. While it was slow at times, I was always wondering what would happen next.

I did find the novel rather predictable and many of the twists bordered on the absurd. For a majority of the narrative I was hooked, but there were other parts that seemed to drag, taking me out of the story. I did enjoy Maarleveld‘s narration of the story. Each character was given their own unique voice and individual personality. I did have to speed up the pace a little, but once I did that the pacing and inflection were, in my opinion, spot on.

I was excited to listen to this based on its summary, but it was not at all what I was hoping for. There are an insane amount of chapters. There were so many times where I spent more time listening to the number of the chapter than the action within the chapter. I was also rather put off by the ending as well. It has nothing to do with what happened exactly, it just seemed too unrelated to the story in some ways, and was rather abrupt as well.

There were events and characters that added little to nothing to the story. At times I did not like the ways in which LGBTQIA+ individuals were described or referred to, such as using the term “late-blooming” to refer to individuals who identify as trans. The audiobook was absolutely phenomenal. I loved the unique voices that were used for the characters and the ways in which they were brought to life, as well as the tone and inflection changes.

This novel went back and forth for me. I really liked was the ending. While it was rather predictable as to the “who” I still found it to fit with the story as a whole and was surprised by the motivations of that character. I did find Julia to be an annoying character. Her reactions were not appropriate for the events and I would not have acted in the same way. She seemed not to care about big things and overreacted to others.

This is a novel full of twists and turns that I enjoyed. There are a lot of chapters in this novel, and I do mean a lot, creating a fast-paced, edge-of-your-seat novel. The ending was a little odd though, and didn‘t quite fit with the story and the characters in my opinion. I went back and forth with the audiobook. My biggest issue was the pace of the narration. For a novel that is supposed to be a thriller the narration was way too slow.

The chapters are short, which helps to make it a fast-paced novel, but there were so many pieces that were too unbelievable to me; some things were a little too far fetched. The audiobook was okay. I liked that there were multiple narrators used, especially since the novel is told from the viewpoints of multiple people. I found the pace to be rather slow, especially for a thriller, and at times the delivery was flat and monotoned, but not always.

I found this to be a very entertaining story full of strong female characters. Òdòdó is a remarkable individual and I took delight in joining her on her journey. Sangoyomi is a masterful storyteller, using words to paint spectacular scenes and events. I also enjoyed the audiobook. The inflection and changes of pace effectively conveyed the various feelings, emotions and experiences of the characters, creating a tone that fit well with the story.

This I s a fun young adult mystery that, while rather predictable and cliche was nevertheless enjoyable. I liked the dual point of views used to tell the story, along with the flashbacks to that fateful night. I do believe that the story could have been executed a little better; young adult novels have become substantially better over the last few years and this one didn‘t fully hit the mark, but it was still a fun story.

This is a powerful novel that is beautifully written. The themes and emotions that it touches on are intense at times, but bring with them a powerful message. At times I did find myself a little lost or confused however; there were things that occurred that I questioned or were completely baffled by. I‘m not really sure why there was the use of magical realism in the story and what part it played in the telling of the tale.

I feel that this is a story with a lot of potential, but it did not quite deliver. For a novel that is listed as a thriller, I did not find there to be much suspense. The ending was a bit of a disappointment as well. I thought the presentation of the novel by Pino was well done. I liked the life that he gave to the characters through the use of different voices, although the pacing was a little slow for my tastes.

I loved that it contained elements from some of my favorite genres: mystery, thriller, science-fiction, and dystopia, and Turton weaves all of these various elements together really well. The novel also contains a countdown of sorts, leading to what will be the end of the world if they are unable to solve the murder, it lends a sense of urgency to the novel and creates quite the page-turner. Turton creates a number of complex characters as well.

Hannah is a rather interesting character. I can completely understand how she fell into the hole she did and why she had many of the feelings and motivations that she did. I also found William to be an intriguing character; I had my suspicions about him but there were still a couple of surprises along the way. I really liked the way that the story was told–if there had not been letters between Hannah and William included I would have been bummed.

On the surface Service Model is an extremely entertaining novel that I was hooked on after the first few minutes of listening to the audiobook version. That being said, I did not receive a digital copy until I was practically done with the novel, and I feel that I missed a lot by not reading the novel while I listened to it. Not seeing the names of the sections with my eyes means I did not make the connection that the sections represent authors.

Not having read any of the former novels in the series I was rather surprised by the fact that I was never lost. I greatly enjoyed the characters and everything they brought to the story. While the story is primarily told from the perspective of Myron, there are some chapters sprinkled throughout that are told from the killer‘s perspective, which added an extra element to the narrative; I think these were my favorite chapters in the novel.

This novel was a bit of a struggle for me. There were numerous times in which I was confused as to what was happening and why and rereading sections did not always clear things up; it seemed like things were jumping all over the place and I was never sure where the characters were going to land. I felt as though many of the characters were not developed enough, and I found myself not really caring what happened to them as the narrative progressed.

At times I was rather confused about what was happening, forcing me to reread sections with the hope of obtaining some clarity. At other times I was very intrigued with what was occurring, but then something would happen or someone would come along and I would find myself lost again. I found Kajal to be a very interesting character. I really liked the strength that she showed throughout the narrative, as well as her stubbornness and intelligence.

This has a little bit of everything: mystery, magic, intrigue, and a great group of characters. I found myself greatly interested in their lives and their struggles. They contain honest emotions and reactions and were well developed. I especially enjoyed seeing Nhika‘s strength throughout, as well as her overall growth. I can‘t wait to see what is in store for these characters in the next novel of this duology.

This isn‘t the type of novel that I typically read but I found it to have relevant themes and a very powerful message, mainly about the power that men try to hold over women and the life-altering effects that control can have. The narrative is told through duel timelines: the present and a letter written to Dominguez from Tatum. These two timelines worked very well together, seamlessly weaving the past with the present.

Sadly this was an extremely predictable novel; there was very little within this novel that surprised me. The story itself is rather fast-paced–I flew through it relatively quickly–but it honestly lacked any real horror. I think the most twisted thing about the entire narrative was Javier himself. I also felt as though the ending was rather abrupt and left a lot of unanswered questions; it was almost like Henry didn‘t know how to end the novel.

This came across as an honest novel, from the portrayal of teenagers and their problems–large and insignificant–as well as their relationships with their parents, to the raw and rash behavior by their parents. I also liked the way in which Nichols chose to present the events. While a majority of the novel follows Alex and Isabel it also contains sections from the point of view of the killer, all without giving away the individual‘s identity.

I thought I was going to read a book that was more about the search for justice, but there is so much more to this story than that. Lieu examines her thoughts, concepts and definitions of perfection, the American Dream, and justice, and she does all of this with total honesty. I also enjoyed the glimpses of Vietnamese culture throughout, as well as seeing the ways in which different groups respond to and process grief.

I really enjoyed the audiobook. LaBlanc uses intonation and inflection, as well as pace changes, to hook the listener. I did need to speed up the pace due to my own personal preferences, but I still found the pace after the adjustment to be spot-on. Often I like to have a copy to follow along with, but this was one where I was able to fully enjoy the audiobook without the words in front of me, which is a testament to LaBlanc‘s narration.

Had this not been sent, I would not have finished it. There didn‘t seem to be any passion in the writing, nor in the characters; it read more like a fact-filled history book than a novel of fiction. I had no connection to the characters, and hence I couldn‘t care less what happened to them. The descriptions were lacking and the action did not pull me in. For me the artwork throughout the novel was the best part of the whole novel.

This came across as an honest novel, from the portrayal of teenagers and their problems to their relationships with their parents to the raw and rash behavior by their parents. There were some sections that were a little slow, but when things really got going it became an edge-of-my-seat mystery, I just wish it hadn‘t taken so long to get there. It was nice to have my suspicions about the killer‘s identity but still come across some surprises.

This fell a little short for me. It almost seemed like it was trying to be too many things at once–thriller, mystery, romance, fantasy–causing many of these to be lacking and not fully developed. I never really felt a connection to any of the characters, almost to the point where I didn‘t care what happened to them. I also felt that, with the target audience being teens/young adult, the writing didn‘t quite vibe with that audience.

I kind of struggled with this novel. I liked the basic premise of the story but I really found myself struggling with the characters. I honestly found them rather annoying and weak. Emily Joyce did a great job narrating. She used inflection and changes in her tone to present the story in such an enjoyable way. I also greatly appreciated that fact that a narrator with a British accent was used for a story based in England with European characters.