

(1740)
Hooray for the magic of low expectations! I'd braced myself for a tedious slog, so was pleased to find an unexpectedly engaging story of power and resistance. Pamela's obsession with Virtue doesn't resonate, but as a drama of compulsion and consent, it's surprising how much still works. Of course a lot doesn't work: Pamela is as exasperatingly twee as she is sympathetic, and the hero belongs in prison. But I was prepared for so much worse.