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Well, this book has boats. It was my first Elizabeth Hay and I remember liking it a lot…as I have liked all the other books I have read since.

I felt fascinated but confused the 1st time I read this. I had sympathy for narrator, but some serious doubts. I reread it to try to get some clarity, but found it equally opaque. Now i see a path of evil intent by our narrator. But i couldn‘t pin her down. She‘s hiding herself. In interviews the author says she wants readers to finish the book with questions, not answers. I have more questions upon rereading. The book is brilliant, by the way.

I'm at odds about this book. On one hand it is gently interweaving multiple story threads with patience and care.
On the other hand it includes lines like this:
"His penis was more narrow than wide, more O Henry bar than chocolate slab, more spring rhubarb than autumn gourd, more canoe than motorboat." ?????
Which might be one of THE worst sentences I've ever read in a novel.
So...a real toss-up right now. ?

A very Booker Prize-ish book - it was a bit tricky. This is a series of stories spanning 1908 to 2025 covering love, both romantic and between parent and child, loss, war and science. What I struggled with was the telling, individual stories moving back and forth in time, the narrative in each story also moving around from paragraph to paragraph. Lovely in parts, but it was harder work than I‘m willing to invest.

Happy Caturday from my favourite napping pals!
Started this 2007 Giller Prize winner today (for #192025 natch). One of those works of Canlit that everyone seems to have read except for me. Decidedly mixed reviews on Litsy including a definitive pan of Hay's writing style by @Lindy 🤨🙂 whose opinion I respect. So we shall see...

I would rate this a pick with caution as this is one I would only recommend to the literary reader. It is told from multiple POVs and jumps back and forth through time, often changing to brand new characters. I found it to be very confusing (I wanted a family tree) and it really should be read more than once. That said, the writing is beautiful and very thought provoking, and each chapter held my interest, but I admit I wanted more. 3.5/5 stars.

This is a novel with a lot of secrets. There‘s a hint of Shirley Jackson and Poe to the unnerving atmosphere but it‘s missing the tension and drama for me. The prose is deliberately obtuse, the narrator unwilling or unable to speak directly, and the reader is left to decide much of what has happened for themselves. I like being challenged but the effort doesn‘t seem to pay off. I‘m not sure we are given enough to fully trust the author. 5/10

5🌟/5🌟
On to the final book in the series... which I've read... years ago... but I don't totally remember... my mind these days is not totally reliable. Can't wait!

Definitely deep in the poetic stream. This does not always lend itself to the full story as I might have chosen to structure this differently- reserving the imagistic for the Vietnam segment so beautifully juxtaposed with the father‘s decline. Ultimately this is a beautiful story of love, family bonds, and events that shape us.

I finally had time to watch The Gillers. If Anne Michaels writes as beautifully as she speaks, I‘m really going to have to read Held. I also really want to read Prairie Edge and Curiosities. The TBR just keeps getting bigger.