
5/9, 5/10, 5/11/25
#haikuaday
#haikuhive
@dabbe
@thebookhippie
@thespineview
@kristy_k
@jenlovesjt47
@debinhawaii
@bellabella
@julieclair
@anncrystal
@booksandcoffee4me
@vivastory
@reggie
@cbee
@jdiehr
5/9, 5/10, 5/11/25
#haikuaday
#haikuhive
@dabbe
@thebookhippie
@thespineview
@kristy_k
@jenlovesjt47
@debinhawaii
@bellabella
@julieclair
@anncrystal
@booksandcoffee4me
@vivastory
@reggie
@cbee
@jdiehr
#haikuhive
#haikuaday
Hello, busy bees, creating haikus everywhere you please!
When you share, please tag all of us so we can toast
you and your gloriously-worded post.
Anyone can join in at anytime! 🐝🖤🐝
#haikuaday
5.5.25
@TheBookHippie @TheSpineView @Kristy_K @JenlovesJT47 @lil1inblue @DebinHawaii@bellabella
Unbelievable break in the weather this week. Our last cool hurrah! 🩵🌧️💙
#haikuaday
5/3/25
@TheBookHippie
@TheSpineView
@Kristy_K
@JenlovesJT47
@lil1inblue
Feel free to tag our entire l'il group when you post a haiku! 😍
#haikuaday
#day1
@TheBookHippie
@TheSpineView
@Kristy_K
If anyone else would like to join in, here's the original link:
https://www.litsy.com/web/post/2860876
This is just two pages! Four haiku on each page. 817 total. Nearly all of them just like…😍
Near the end of his life, Richard Wright, best known for his 1940s novel of Black repression, Native Son, (not read), began writing haiku.
To say that these are some of the best English Language haiku I have ever read is not hyperbole. It‘s evident in every line that Wright was enamored by the deceptively complex form and respected it.
Wright, a Black Man in 1950s America, found in Nature a place of belonging. Such is the power of haiku.
I‘m posting one book a day from my massive collection. No description, no reason for why I want to read it (some I‘ve had so long I don‘t even remember why!). Feel free to join in!
#ABookADay2024
“Therefore if, within the confines of its present culture, the nation ever seeks to purge itself of its color hate, it will find itself at war with itself, convulsed by a spasm of emotional and moral confusion.” How prescient those words!
Often bleak, sometimes funny, always well written, these 8 stories of 8 black men (or 7 men and one boy) moved me. The final story, which I quote above, was perhaps my favorite. All will stay with me a long time.
A flawed, but incredibly powerful collection of stories.
It serves as a commentary on the Jim Crowe South…and also oddly on (the awkwardness of?) Communist idealism. It also has some beautiful use of idiomatic language, terrific characters, and insane dramatic tension.
Etchings are by John Wilson for the story Down by the Riverside.
#RichardWright