Considered one (if not “the”) founding work of Gothic fiction, The Castle of Otranto was designed by its British politician author to be a marriage between “the modern novel and ancient romance,” “romance” referring to the chivalric times of knights and damsels in distress of the 1100s to 1200s. This book is not so much eerie and terrifying as more of a historical curiosity, showing how 18th century literati thought of their medieval forebears.